The trailer for Dune: Part Three — the final chapter in Denis Villeneuve's trilogy — dropped yesterday. I've been watching it over and over, trying to pick up every hint and detail buried in those two and a half minutes. If this trailer and the first two films are any indication, we're in for a hell of a ride. What an epic finale this will surely be!
Despite what some will say, I'm not usually one to go full fanboy, but I'll make an exception here.
Villeneuve's adaptation of the Dune universe has been close to perfection — though honestly, after Arrival and Blade Runner 2049, I shouldn't be surprised. The man knows how to make magnificent cinema. But even Villeneuve would be the first to admit that none of this works without Frank Herbert's brilliance on the page. This pulls me right back to cracking open that first Dune paperback in college (what we call CÉGEP here in Québec) and realizing I'd found something different — a universe so layered with political intrigue and backstory that it felt less like science fiction and more like something that actually happened, or would in humankind's far future.
That's a long way from the almost comical early adaptations we endured on both the big screen and television.
Just like that Tom Petty song, I've been learning to fly over the past few weeks. Not in the poetic, soul-searching kind of way — more in the 'please don't let me die on this gate' kind of way.
A few weeks back, a new acquaintance within New Eden (thanks for the intro, Rixx!) asked me to help gather a ton of stuff scattered across a few dozen systems — some in high-sec, some in low-sec. We're talking stations I’d never visited, assets worth Billions of ISKs, collecting dust like forgotten relics of a past life in space. The kind of stuff you want to move quickly while unnoticed.
To pull this off, I needed a ship that could do three things well: carry a decent amount of cargo, move fast, and — most importantly — get out of dodge before anyone could lock me down. Not just fast. Sub-two-seconds-to-warp fast.
What happens when the world finds out we’re not alone? That’s the premise behind Disclosure Day, Steven Spielberg’s new sci-fi film, hitting theatres June 12th in IMAX.
Spielberg built a good chunk of my childhood imagination when it comes to making first contact. Close Encounters (1977). E.T. (1982).Even War of the Worlds (2005), which doesn't get enough credit for how effectively terrifying it is. The man knows how to make these moments feel real — the awe, the dread, the quiet terror of realizing the universe is bigger than you thought.
Disclosure Day looks like it's tapping into all of that again.
